This lovely bass clarinet is crafted in grenadilla and nickel silver. This bass clarinet was made by Maino & Orsi. It is a simple (Albert) system clarinet with two independent speakers. The company Maino & Orsi was the fruit of a collaboration and partnership between Paolo MAINO (?-1881) and Romeo ORSI...
This antique B-flat clarinet was made around the beginning of the nineteenth century in Alfeld, which lies on the Leine river in Lower Saxony, Germany. The literature (Hart in the Langwill index) tells us that G. Bock’s instruments were similar to those produced by the STREITWOLF workshop in Gottingen. So, G....
This E-flat alto clarinet is made of grenadilla wood and has nickel silver keys and rings. Its total length is 810 mm, including the mouthpiece. It was made by V. Kohlert’s Söhne, Graslitz and this is stamped on the upper joint. The Kohlert company was founded in 1840 by Vincenz Ferarius...
This antique boxwood fife was made by James JORDAN (1807/8-1852). James Jordan was born in Ireland. At some point, he travelled to Liverpool. He started a new life in England. He was listed as a musical instrument maker and woodwind dealer from around 1830. James Jordan was also an inventor....
This amazing Boehm-system vintage aluminium flute was manufactured by Gerhard Rudolf UEBEL (1915-1991) in Eastern Germany (GDR) in the 1960s. He was the grandson of the founder of the UEBEL company, Friedrich Gustav UEBEL (1855-1915) in Saxony, Germany. Gerhard Rudolf Uebel experimented with new materials and mechanical construction techniques and this...
This brass post horn was made by the Julius Heinrich ZIMMERMANN (1851-1922) company. Zimmermann was an extremely successful entrepreneur in the manufacture of musical instruments and also publishing. He had branches of his company in St. Petersburg, Moscow, London, Riga and Leipzig. This particular instrument is stamped ‘LEIPZIG’, where he set up his...
Here we have a jewel of silver flutes… which is also extremely rare! It was made by Ernst Robert LEIBL (1871-1957), who took over the famous Boehm & Mendler workshop in 1903. He continued to construct his instruments in exactly the same manner. It is estimated that LEIBL only made around 100...
This oboe was made by the company Gebrüder Alexander, based in Mainz, Germany. The company was first established way back in 1782 as a small workshop by Franz Ambros ALEXANDER (1753-1802). When Franz Ambros died, the business was carried on by his widow Katherina, and the four sons, the brothers...
This beautiful late-Romantic oboe was made by Ferdinand Julius Hermann ALTRICHER (1842-1915) who was native to Frankfurt an der Oder. This city is in today’s German state of Brandenburg. He started out around 1868 as a mouth-organ or harmonica manufacturer before he turned his hand to brass and woodwind instrument...
This ocarina was made by the great master and inventor of the ocarina himself Giuseppe DONATI (1836-1925). Donati lived and worked in his hometown of Budrio at the outset of his career as an ocarina maker. He moved to Bologna in 1878 where he lived and worked. In 1904 he opened...
A post horn is a valveless cylindrical brass instrument with a cupped mouthpiece. During the eighteenth and nineteenth centuries, stage coaches were used to carry letters and parcels. People were also transported and had to endure extremely bumpy rides and often accidents. Along each route or road, there were stations or ‘stages’ where the stagecoaches stopped.
The postillion was the person who guided the horse-drawn coach while actually mounted on the horse or pair of horses. A coachman would control the horse from the actual vehicle itself.
They blew the post horns to announce their arrival at or departure from postal stations. This meant that everything could be ready for when they arrived, including for example, a change of horses. They went into disuse with the modernisation of postal systems. Yet the post horn remains a symbol of mail systems in many countries, including Germany with the Deutsche Post for example.
Open/closed G-sharp key
The open G-sharp key was promoted by Theobald Boehm. So, G-sharp is fingered like a G on the modern-day flute and G is fingered like the modern-day G-sharp. The open G-sharp key mechanism avoids having an additional second G-sharp tone hole, which is not optimal in acoustical terms.
The closed G-sharp key is the regular mechanism on modern day instruments as well as traditional conical wooden more-keyed flutes. G-sharp is obtained by pressing the G-sharp lever. G is produced by pressing down all four fingers of the left hand.
Theobald Boehm’s open G-sharp was not successful in the end and is no longer used in flute-making, with some exceptions.
