This four-piece METZLER boxwood flute has a beautiful stain and yes… you’re right really distinctive and unusual brass rings. With its generous embouchure and fingerholes, it plays beautifully and delivers a wonderfully colourful sound. We think it was made around 1800 by Valentine METZLER (c.1756-1832), not his son of course, as...
This remarkable and rare flute was created by George Leonhard LINTNER (1794-1859), who received training and licensing as a maker of both brass and woodwind instruments – quite unusual for the time. He worked alongside his father, Johann Georg LINTNER, who came from Tyrnau in Slovakia, in their hometown of...
This early Romantic flute was made by the meister woodwind instrument maker, teacher, composer and inventor Johann Heinrich Gottlieb STREITWOLF (1779-1837). He was admired by many… including Johann August Günther HEINROTH (1780–1846), music director in Göttingen who wrote an article about him which was published in the Allgemeine musikalische Zeitung...
We’re back to the wonderful city of Strasbourg with its famous woodwind instrument makers of long ago. It’s a very intertwined history indeed! This early nineteenth-century boxwood flute has ivory rings and four German/nickel silver keys. It is stamped on all four joints with an angel bearing a trumpet and DOBNER...
This cocuswood marching or band flute was made by the company Henry Potter & Co. Henry Potter & Co was started back in 1810 by Regimental Drum Major Samuel POTTER (1772-1836). He named the company after his son Henry Potter (1810-1876) and it still exists today.The company moved premises around...
This Boehm & Mendler flute is simply spectacular – in amazing condition. It was made by the legendary Boehm & Mendler workshop in Munich, Germany. Formed by Theobald BOEHM (1794-1881) and Carl MENDLER (1833-1914), the company was active from 1862 to 1888. Surprisingly, most of the flutes made were exported,...
This E-flat ring-key piccolo comes from Munich, Germany. It is made of grenadilla wood and has rings and keywork crafted from nickel silver. Its maker was Johann Martin Benedikt LEHNER (1853-1915), who preferred simply Martin Lehner. The instrument is stamped with M. LEHNER / MÜNCHEN. The maker’s stamp also features a...
This exquisite, solid silver alto flute is a beauty to behold and was made by England’s finest flute-makers of the mid-twentieth century. The company was established in 1872 as successors to Rudall Rose, Carte & Co and was bought in 1943-1944 by Boosey & Hawkes. The history of this great...
This conical ring-key flute by Charles Boromée MAHILLON (1813-1887) was totally restored and now sounds fantastic. You can hear it for yourself playing Jean REMUSAT (1815–1880) Le flûtiste romancier, Introduction from around 1859. The flute is made of finely selected cocuswood with nickel silver keywork, rings and crown tip. All parts...
This System Schwedler-Kruspe flute featured in the MEINEL & HEROLD product catalogues. Meinel & Herold, established in 1893 in Klingenthal, Germany, started as an accordion factory, but over time, it evolved into one of the key trading companies in the area. The company was extremely successful, focussing solely on mail...
Open/closed G-sharp key
The open G-sharp key was promoted by Theobald Boehm. So, G-sharp is fingered like a G on the modern-day flute and G is fingered like the modern-day G-sharp. The open G-sharp key mechanism avoids having an additional second G-sharp tone hole, which is not optimal in acoustical terms.
The closed G-sharp key is the regular mechanism on modern day instruments as well as traditional conical wooden more-keyed flutes. G-sharp is obtained by pressing the G-sharp lever. G is produced by pressing down all four fingers of the left hand.
Theobald Boehm’s open G-sharp was not successful in the end and is no longer used in flute-making, with some exceptions.
Münchner Kindl – ‘Munich child’
This emblem has represented Munich’s coat of arms since the 13th century. Initially, the depicted figure was a monk or friar with a Bible, but by the 16th century, it transformed into various representations, including that of a small child in a pointed hood, frequently seen holding a beer mug and a radish. It is believed that the name ‘Munich’ (München in German) is derived from the phrase Kloster von Mönchen, meaning ‘Cloister for Monks’, which relates to the nearby Imperial Abbey of Tegernsee, a Benedictine Monastery that was established close to the original settlement of Munich.
This image, in its numerous variations, has been displayed on countless items, including the city hall in Munich, manhole covers, and beer steins. The gender of the figure has also transformed over time, shifting from a clearly male representation to a gender-neutral child, and then to a small girl. Today, when the kindl is depicted by a person, such as during Oktoberfest, it is most often portrayed by a young woman.
